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"Until the gun went off, I wasn't even sure why the guy was stepping out. It only took a moment for him to step in and get the shot off. He didn't want any of us there,” he said.īut many people, some not in law enforcement were there. “He did not want to move Oswald in public. "Well, this is Will Fritz, he's chief of detectives,” said Jackson, pointing to his famous shot printed inside his book “The Shot.” Jackson said while the police thought it would be safe to transport Oswald in the basement of the station, with press, and other people around, some were already skeptical. Many wonder how Ruby, a civilian, could get so close to the transport of Oswald two days after killing JFK. Jackson (bottom, center) with the Dallas Times Herald photography staff in the mid-'60s, including Chief Photographer John Mazziotta (bottom, right). It would soon be on the cover of nearly every newspaper and magazine in the country. So we made a wet print in the enlarger, took it out to the newsroom, showed a few people, and we realized then we had beaten the Dallas (Morning) News,” said Jackson. "I let out a yell to my chief photographer who was standing outside the door. However, it wasn’t until Jackson developed that shot in the darkroom when he realized he had history in his hands. Jackson was the only photographer to snap his shutter at the exact moment Ruby’s gun was fired at Oswald. Later, Jackson, and the country, would soon learn the man stepping into Jackson’s shot was Jack Ruby, a Dallas nightclub owner. Jackson's famous photograph of Jack Ruby shooting Lee Harvey Oswald which won the Pulitzer Prize for photography in 1964. Jackson, who majored in business at SMU, and took up photography at the age of 12 simply because his aunt gave him a “Baby Brownie Special” Kodak camera, pushed the button that won him a Pulitzer Prize in photography in 1964.
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"I see him coming and then all of a sudden somebody stepping out from my right, blocking my view, quickly, I mean this was quick. What if he never gets to the other end of town?' Because there had already been threats,” said Jackson. I'll have a chance to get a picture of him.
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"Yeah, Saturday night I got the assignment … I remember thinking, 'Hey, I'm gonna have the first crack at this guy. However, Jackson did get his shot of Oswald, his most infamous image, not on November 22, but two days later while Dallas police attempted to load Oswald into a vehicle in the basement of Dallas Police headquarters. Photo Credit: Bob Jackson.Īlthough plenty of photos would soon surface of Kennedy’s killer, no one snapped a photo of Lee Harvey Oswald in the act. An overwhelmingly joyous crowd waves at Jackson's camera just moments before the first shot was fired at President Kennedy and Texas Governor John Connally. Jackson had an empty camera, unable to reload and get a picture before the shooter removed his rifle from outside the sixth-floor window. “And I just looked up, and there was a rifle resting on the ledge in the sixth floor,” said Jackson. Seconds later, Bob looked up at the now infamous Texas School Book Depository – one of just four people who testified in front of the Warren Commission that they saw a rifle sticking out the sixth-floor window. "Someone is shooting at the motorcade, at the president,” he said. Jackson’s first thought upon hearing the shots? we heard a shot, the first shot, then a pause, then two more closer together,” he said. “And so, when I tossed it out, he had to chase it because the wind caught it, blew the envelope a little ways, he had to chase it, and we were laughing, those of us in the car. Why do I have to unload my camera?' But I did.” "I remember thinking, as we were going through town, what I shot, I said, 'We're not gonna use that stuff. "So I was instructed to unload my camera, put the film in an envelope, look for him, toss it out and he would take that film back to the paper," said Jackson. That’s the moment Jackson heard shots not coming from any camera. After taking pictures of the president and the crowds at Love Field, he was instructed to join the parade route to take pictures and then unload his camera to toss the film to a reporter on the corner of Main and Houston. Jackson, who has lived in southern Colorado since 1980, was eight cars behind the president during the parade in Dallas the morning of 11/22/63. Kennedy greets the crowd at Dallas' Love Field on 11.22.63 minutes before the assassination. "My assignment was to photograph what I could on the parade route, which was about five miles from the airport to downtown." John F.